Author: Jim Poe

Sydney-based writer, presenter, DJ and activist. Film, music, parenting and socialism.
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Sydney Film Festival preview: A deliriously good Amitabh Bachchan retro, plus other highlights

This year I was once again tapped by Sydney Film Festival to write program notes for the upcoming 70th edition. Once again, along with the assortment of new films assigned to me, I was handed the enjoyable task of writing up a program of classic films from India. Last year it was the Satyajit Ray … Continue reading Sydney Film Festival preview: A deliriously good Amitabh Bachchan retro, plus other highlights

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Boards of Canada’s Music Has the Right to Children: Cinematic psychedelia, dope beats and audio therapy

This is a revised and expanded version of an article I wrote for Tone Deaf in 2018 (and which was later republished by Classic Album Sundays) Boards of Canada’s Music Has the Right to Children is without question the album I’ve listened to the most in the past 21 years. I can’t think of what … Continue reading Boards of Canada’s Music Has the Right to Children: Cinematic psychedelia, dope beats and audio therapy

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Andor is a refreshing change for Star Wars, and a thrilling and inspiring depiction of revolution

Note: It’s necessary to discuss the plot in some detail in order to discuss what makes Andor great both cinematically and politically, so be warned there are spoilers here. Andor is such a breath of fresh air for the Star Wars franchise, and for television in general. The new series streaming on Disney+, a prequel … Continue reading Andor is a refreshing change for Star Wars, and a thrilling and inspiring depiction of revolution

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Peter Jackson’s Return of the King is a supreme classic, but here are some things that bug me about it

This year marks the 20th anniversary of the release of Peter Jackson’s The Return of the King, which completed his triumphant adaptation of J.R.R. Tolkien’s The Lord of the Rings trilogy. I recently watched the entire film trilogy for the first time in probably 15 years. As much as I know these films backwards and … Continue reading Peter Jackson’s Return of the King is a supreme classic, but here are some things that bug me about it

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Ride live in Sydney: A transcendent Nowhere retrospective rides a new wave of shoegaze

If you know me, you might have been surprised that I had to be talked into seeing Ride for the first time at the Enmore Theatre in Sydney early this month. The Oxford band are touring in (COVID-delayed) celebration of the 30th anniversary of Nowhere, their 1990 debut LP and their masterpiece; the first part … Continue reading Ride live in Sydney: A transcendent Nowhere retrospective rides a new wave of shoegaze

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Khruangbin live at Sydney Opera House: Sublime space-funk in the grandest of settings

In the weeks before seeing the mighty Khruangbin in the Concert Hall at Sydney Opera House last Friday night (the first of three sold-out shows for them there, and my first time seeing them), I told several friends I wasn’t so sure how appropriate a venue it was for them. I’m sure this might have … Continue reading Khruangbin live at Sydney Opera House: Sublime space-funk in the grandest of settings

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Prey: Groundbreaking Indigenous action-horror that kicks ass

There’s something both enlightening and frustrating about watching Prey, the new Predator prequel set in Comanche country in the 18th century, now streaming on Hulu (or on Disney+ in some regions, including Australia where I am). It’s such a revelation for an action film of this caliber to have a completely Indigenous main cast and an … Continue reading Prey: Groundbreaking Indigenous action-horror that kicks ass