I wrote this essay about the politics of Todd Phillips’s Joker almost five years ago, and posted it to my Facebook page. That was a turning point in my decision to start this site. It wasn’t the first time I’d posted lengthy and detailed thoughts about a film and its politics, but I worked especially … Continue reading Joker and the problem of identity
I write about film all the time, but not all of it gets published here. When I see a film or a series, whether old or new, and decide I have something to say about it, there are, broadly speaking, two things that might happen. The first possibility is that I’m so obsessed with this … Continue reading A compilation of my short-form film reviews of 2023
Those of you who follow this blog may have noticed it’s been a bit quiet around here for the last few months. There’s a specific reason for this: almost all of my extra attention and energy has been consumed by following and protesting the war and genocide in Gaza. I haven’t really been able to … Continue reading Elia Suleiman’s Palestine trilogy: The tragic absurdity of occupation
This is a reader-supported blog. If you like what you read, consider buying me a coffee! I don’t know how to break this to you, but one of the most interesting and cinematically adventurous films of the year is a franchise IP blockbuster that was made explicitly to sell dolls. I didn’t intend to write about … Continue reading Notes on the politics of Barbie
There were two things I noticed about the reactions to Tina Turner’s death last month. First, there was a general agreement that even though she was 83, it still felt tragically early, way too soon for her to go. She was one of those artists who seem so filled with life and energy and passion, … Continue reading Let’s talk about Tina Turner’s pivotal contributions to the Mad Max saga
This year I was once again tapped by Sydney Film Festival to write program notes for the upcoming 70th edition. Once again, along with the assortment of new films assigned to me, I was handed the enjoyable task of writing up a program of classic films from India. Last year it was the Satyajit Ray … Continue reading Sydney Film Festival preview: A deliriously good Amitabh Bachchan retro, plus other highlights
This year marks the 20th anniversary of the release of Peter Jackson’s The Return of the King, which completed his triumphant adaptation of J.R.R. Tolkien’s The Lord of the Rings trilogy. I recently watched the entire film trilogy for the first time in probably 15 years. As much as I know these films backwards and … Continue reading Peter Jackson’s Return of the King is a supreme classic, but here are some things that bug me about it
This is a reader-supported blog. If you like what you read, consider buying me a coffee! There’s something both enlightening and frustrating about watching Prey, the new Predator prequel set in Comanche country in the 18th century, now streaming on Hulu (or on Disney+ in some regions, including Australia where I am). It’s such a revelation … Continue reading Prey: Groundbreaking Indigenous action-horror that kicks ass
The thing about panning a Marvel film is you find yourself temporarily allied with the Marvel haters, and that’s annoying. Yes, I found the latest theatrical film in the saga, Taika Waititi’s Thor: Love and Thunder, incredibly tiresome and pointless, an outrageous waste of talent and resources. The haters see every Marvel film the same … Continue reading Bore, thud and blunder: The MCU jumps the shark
You can tell that Meet Me in the Bathroom, the new documentary about New York’s explosive music scene of the early 2000s, is going to misfire from the very first sequence. A 1959 recording of actor Ed Begley reading “Give Me the Splendid Silent Sun,” Walt Whitman’s soaring tribute to New York from his masterwork … Continue reading New York’s postpunk revival deserves a better documentary than Meet Me in the Bathroom
Under the Paving Stones 