Tame Impala live in Sydney: Uncompromising, euphoric psych-pop for the masses

I had an epiphany on Thursday night while witnessing the mass euphoria that was Tame Impala playing “Let It Happen” to a crowd of 20,000 young Australians. The fact that Kevin Parker’s quirky, trippy, introspective fusion of psych-rock and electronic pop has been embraced by so many is remarkable if you think about it. “Let … Continue reading Tame Impala live in Sydney: Uncompromising, euphoric psych-pop for the masses

Wet Leg’s debut LP is a raunchy, joyous treat and an instant rock & roll classic

Early this year, in my write-up of the best albums of 2021, I wrote this about young hyperpop artists like Banoffee and Charli XCX, who are making some of my favorite sounds lately: “I’m a 51-year-old dad and house DJ and this music is not made for me; the target audience is decades younger, not … Continue reading Wet Leg’s debut LP is a raunchy, joyous treat and an instant rock & roll classic

Tame Impala’s Currents: A contemporary classic of epic, obsessive psychedelic pop

This essay is adapted from a presentation I gave at our Classic Album Sundays Sydney listening party celebrating Tame Impala’s Currents earlier this month. I’ve included a playlist, embedded below. There’s a paradox at the heart of the massive appeal of Tame Impala’s third album: it’s without a doubt a pop album, a conscious effort … Continue reading Tame Impala’s Currents: A contemporary classic of epic, obsessive psychedelic pop